one day expo: Cuzina and Viorica Cernica

Bij deze bent u van harte uitgenodigd aanwezig te zijn bij de eendagstentoonstelling van twee kunstenaars uit Boekarest op woensdag 14 mei 2008 vanaf 18.00 uur in het Davo pand aan de Mr. H.F. de Boerlaan.

 

Cuzina:“Pink Thougts“ Cuzina`s paintings displays us a world  of intimacy as beaty is constructed in contemporary culture. She creates a space of urban dreaming and latex poems and she astablishess new and personel places of visual imagenary that also speak obout her enthusiasm from some areas of pop culture. The “neurotic joviality“ atmosphere of here motifs encounter a formal composition of emtiness and calm wich comes as a result of her using principies of order to create the interior tension of the whole composition. Her dreams are viewed as under magnfying glass. They are very close to the retina. But at the same time in this approach comes the colorful bits, the slogans, clichés and the fat paint surface. This principle of intermediation the vieuwer`s contact woth her painting universe leads to one of her influances that is graffiti art. She`s using various morphological elements like stencil and tagging that lay over the painted canvas. And if you look closely you realize that you have to dig into the paint to find the “wall” made of concepts, dreams and love. She cuts pieces out of certain motifs and underlays them with outlandish images and she ranges from high gloss to mat hatching to create a eerie, a troubling effect. The whole mixture between approach/acces and rejection and different vibrating medias makes her work contemporary smart and gives vintage candy look. The life in her painting has fantastic lightness and speed. As she.  “Denise Radulescu

 

 

 

Viorica Cernica:“ Layers“

It’s been said that with all the different mediums used in art during the last century, an artist nowdays doesn’t have any reason to still use canvas and paint.
After experimenting with techniques and materials I’ve come to think the real challenge is to express myself and to bring something personal to traditional methods.
While doing this, I strive to piece together little moments, bits and pieces of life, people or an atmosphere and to use it all in recreating a new feeling, that can make the painting “live”on it’s own.
I try to avoid the element of shock. By using layers I invite people to take a look underneath the surface, an exercise that I think everybody needs while surrounded by given images of “perfection